When you ticker “The Matrix” astatine Cosm, you’re fundamentally seeing a movie wrong a film. A changeable wrong an flat becomes a glimpse into an full complex. A combat country connected a rooftop is present 1 tiny portion of a elephantine cityscape. Look to the left, and a erstwhile off-screen chopper is abruptly wholly visible.
Cosm has won attraction and a instrumentality basal for its absorption connected sports programming. A domed, 87-foot-diameter wraparound surface surrounds audiences astatine the Inglewood venue, creating an illusion of in-the-flesh presence. Can’t marque it to that NBA Finals oregon World Series game? Cosm wants to beryllium your fallback plan, combining front-row-like seats with unexpected views.
And now, Cosm aims to redefine the moviegoing experience. A revival of “The Matrix” opens Thursday successful what the institution calls “shared reality,” a selling word that yet means recently created CGI animation towers, over, nether and astir the archetypal 1999 film. Cosm has successful the past shown mostly short-form archetypal programming, and “The Matrix” marks its archetypal foray into feature-length films.

Carrie-Anne Moss and Keanu Reeves successful “The Matrix,” which is opening astatine Cosm with recently created CGI that surrounds the archetypal frame.
(Cosm )
The anticipation is to not lone spot the movie with caller eyes but to make a sensation of being successful the aforesaid situation arsenic Keanu Reeves’ Neo, Carrie-Anne Moss’ Trinity and Laurence Fishburne’s Morpheus. “The Matrix” is an perfect movie for this experiment, its anti-AI connection decidedly topical portion its themes grapple with dual visions of reality.
There’s been a big of alleged immersive ambitions to change the moviegoing acquisition implicit the decades, beryllium it the on-and-off flirtation with interactive cinema, a little inclination successful the ’90s that precocious lived again connected Netflix (see “Black Mirror: Bandersnatch”), to much caller 4-DX theaters with movement-enabled seats (see the light, h2o and upwind effects of “Twisters”). Cosm, similar the bigger, much unrecorded music-focused Sphere successful Las Vegas, seems to person a antithetic pitch: an all-encompassing surface that tin supply antecedently unexplored vantage points, adjacent astatine times creating a taxable parkland ride-like consciousness of movement.
Cosm’s mentation of “The Matrix,” a collaboration with experiential originative bureau Little Cinema, envelopes audiences from its opening enactment series erstwhile a nighttime presumption of a metropolis skyline seemingly places america connected a rooftop. Elsewhere, Neo’s bureau gathering becomes a maze of cubicles. The film’s centerpiece reddish pill versus bluish pill infinitesimal centers the framework among oversized, glowing capsules. When Neo awakens, we are mislaid amid mountainous, concern pods.
The challenge: To not marque it consciousness similar a gimmick, yet to besides cognize erstwhile to propulsion backmost and fto the movie basal for itself. “The No. 1 halfway rule was to heighten and don’t overshadow,” says Jay Rinsky, laminitis of Little Cinema. “Metaphorically for us, the movie itself is the pb vocalist and we are the backing band. Let the movie beryllium the star. Let it sing. And fundamentally travel the cardinal beats — travel the dependable design, the affectional moments and heighten the action.”

The reddish versus bluish pill country successful “The Matrix” is framed with recently created animation.
(Cosm)
The accompanying images get much assertive arsenic the movie races toward its climax. The animations are astir effectual erstwhile they’re expanding the surface alternatively than echoing the enactment — showing america the viewpoint of a careening chopper for instance, alternatively than repeating oregon mimicking a bushed of the film. Having seen “The Matrix” before, I cognize the communicative and its cadence, and was possibly much consenting to crook my attraction distant from the film, which is placed successful the halfway of the surface and often acceptable wrong a representation frame.
In turn, I was dazzled by the scenes changeable wrong Morpheus’ hovercraft the Nebuchadnezzar, successful which the vessel’s surroundings — its buzzing, electrical halfway and its assortment of monitors — are fleshed retired astir the screen. Film purists, I wonder, whitethorn balk astatine seeing images beyond the director’s imaginativeness — Rinsky says helium hasn’t been successful interaction with directors Lana oregon Lilly Wachowski — but I recovered it could assistance physique a world, particularly for revival cinema connected a 2nd oregon 3rd viewing.

A country of “The Matrix” starring Carrie-Anne Moss is surrounded with an all-surrounding presumption of a skyline.
(Cosm)
Expectedly, the film’s last enactment becomes a bevy of secondary action. Bullets that alert disconnected the framework of the movie present find a landing spot, arsenic gathering walls shatter and crumble astir us. Cosm’s surface is crisp and encompassing capable that it tin mimic question oregon flight, and thankfully this is utilized sparingly, twisting lone erstwhile the film’s characters instrumentality to the skies.
When Cosm opened past summertime Chief Executive Jeb Terry stressed the venue wasn’t successful the concern of showing films, wanting to absorption connected sports oregon archetypal programming. “We’re not a first-run theater,” said Terry. “We’re leaning into the experiential side.” Seemingly, “The Matrix” fits this plan, arsenic the accompanying CGI images person been successful the works since astir August 2024, says Rinsky, with the bulk of the dense lifting opening successful January.
Rinsky acknowledges “The Matrix” fits the format peculiarly good due to the fact that it “plays successful a realm of phantasy that allows you to alteration environments around,” but is speedy to adhd that Cosm and Little Cinema anticipation to grow the programme of enhancing Hollywood products. “It is simply a spot of a ngo and a philosophy,” helium says. “Every movie successful each genre has its ain unsocial propositions and tin beryllium adopted and suited well. We’re excited astir horror, and we’re excited astir comedy.” Future projects person not yet been announced.
Cosm besides has a venue successful Dallas, with spots successful Atlanta and Detroit connected the way. Rinsky’s hope, of course, is that Cosm someday has capable marketplace penetration that filmmakers tin make the format from the crushed up.
“I’m truly bullish astir this being the caller cinema,” Rinsky says. “I deliberation successful 5 to 10 years, determination volition beryllium 100 of these around. Once it hits scale, past large studios volition person releases created specifically for this format.”
It’s an optimistic presumption of the aboriginal that’s arriving astatine a clip of disruption successful Hollywood, from shake-ups owed to the streaming marketplace to artificial intelligence. For Cosm, it’s the aboriginal days, but it’s a imaginativeness that needs neither a reddish nor bluish pill. Its outlook is overmuch much rose-colored.