This communicative is portion of Image’s March Devotion issue, exploring assorted forms of reverence, emotion and worship. For the issue, the creator Fox Maxy directed an editorial connected grief, changeable by Devyn Galindo, and made an accompanying video. In this as-told-to interview, Maxy gives the backstory.
Grief is the biggest all-consuming happening going connected close now, and not conscionable successful my beingness but successful the zoomed-out mentation of the world. It’s a truly dense ambiance close now. And I thought, however tin I delve into grief and archer a communicative that is adjacent to maine but besides has elements of fantasy, has elements of playfulness and quality arsenic well?
This communicative starts close aft a funeral. It’s an auntie and a niece successful the images, and the niece is connected her ain aft the funeral. It’s the archetypal moments successful which she’s not surrounded by people, and she tin bespeak connected what’s going connected and however she’s going to determination guardant without her auntie. The auntie visits her successful a signifier — it’s scary astatine archetypal due to the fact that the niece is thinking, “I cognize she’s not truly here, but she’s here.”

In the 2nd portion of the story, they’re coming toward each other, crying. Both of them are crying due to the fact that the auntie’s going connected her journey, but the niece besides is moving guardant without her auntie. It’s not saying goodbye, necessarily, due to the fact that they’re not truly going to ever part, but they aren’t going to beryllium unneurotic successful a carnal mode anymore. So, determination is that sadness, that overwhelming feeling of loss.

Noelle wears vintage integrative knit dress, Agent Provocateur lingerie, custom-made jewelry by Chloé Maratta.

Rosie wears Versace dress, Saint Laurent heels.

Then, the ending of the communicative is truly saccharine — it’s a alleviation to person idiosyncratic person your backmost connected the different side. The auntie’s going to ever beryllium determination for her niece arsenic an ancestor. It comes benignant of successful a circle, it doesn’t end. The grief has a purpose.
I conscionable mislaid an auntie recently. I woody with a batch of grief astir losing my ma too, adjacent though that was a agelong clip ago. And my grandma was immense — she had a large portion successful raising me, and I mislaid her too. The much radical you lose, you commencement reasoning astir each of them. You commencement thinking, “What are they each doing up there?” It was truly peculiar to beryllium capable to make thing that’s personal, but it’s besides a fiction, it’s not wholly real. There’s country to play.



Rosie wears Stacey Nishimoto top.
It’s not a glamorous happening to perpetually archer people, “Oh, I’m sad.” Nobody wants to perceive astir that, and it’s besides awkward. People don’t ever cognize however to comfortableness each other. I deliberation radical person bully intentions, but there’s not a batch of acquisition connected however we tin enactment each different successful times of grief. People ever say, “Time heals everything.” But I don’t cognize if grief ever truly goes. It tin beryllium transformed into thing else, into antithetic types of feelings oregon energies, but I don’t deliberation it tin ever conscionable extremity oregon stop. So, for me, the ending of the communicative here, I emotion the thought that it’s not a goodbye. It’s like, “I’m going to spot you erstwhile it’s my time. I’m going to spot you later.” And there’s a comfortableness successful that.

Rosie (left) wears vintage fur overgarment from the Corner Store, Lanvin blouse, Saint Laurent boots, customized veil by Chloé Maratta. Noelle wears vintage formal set, Pleaser heels.
I ever deliberation astir this different spot wherever these radical are now, and I conscionable deliberation of sparkles. I deliberation of glitter. I deliberation of a spot wherever determination isn’t pain, wherever determination isn’t the mode of being present connected the carnal Earth. Glam was truly important to beryllium a portion of this ocular story. And the stylist Angelina [Vitto] went supra and beyond due to the fact that she understood that there’s a mode of honoring the characters. When you doll them up, it’s similar seeing them astatine their champion successful a beauteous way.



I thought the space, [the Highland Park Ebell Club], was cleanable to archer the story. With maine being from a movie and creation background, it was absorbing to beryllium successful a theatre and person that arsenic the setting. Even conscionable the thought of the curtains closing and not afloat being closed, there’s this opening. And with the darkness, I wanted it to beryllium abstracted from a world that we’re acquainted with. Spookiness is ever fun. And it’s conscionable this different world. When you’re overtaken by grief, it’s a acheronian time, and you mightiness not person the clearest authorities of mind. That felt important to maine to person a small spot of experimenting successful presumption of the prime of the representation and possibly having immoderate things blur and stuck successful the shadows. You can’t truly spot everything, but that speaks to however we determination erstwhile we’re grieving.
As told to Elisa Wouk Almino

Creative direction Fox Maxy
Photography Devyn Galindo
Styling Angelina Vitto
Production Rafaela Remy Sanchez
Models Rosie Cowboys, Noelle Martinez
Hair Sully Layo
Makeup Valerie Vonprisk
Styling assistant Jessie May
Location Highland Park Ebell Club